Unlike a pre-2014 Woodley, Delevingne is already hugely famous, thanks to two things that are inextricably linked: her personality and her social media presence. Paper Towns, along with her role in next year’s DC Comics ensemble Suicide Squad, could take her on the rare path from the least conventional kind of celebrity there is (supermodel-cum-Internet personality) to the most conventional (Hollywood leading lady). That film, coupled with the young-adult adaptation and box-office smash Divergent, also helped make a global superstar out of its lead actress Shailene Woodley.īut for Delevingne, the stakes are different. Consider that the weekend of its release, Fault grossed 67 percent more than Tom Cruise’s Edge of Tomorrow, whose reported budget was nearly 15 times the size of Fault’s. It was one of a handful of films last summer that reaffirmed what box-office scholars have been saying since Bridesmaids become a hit in 2011: that female-driven films can be very good business. The last movie drawn from a John Green novel, the 2014 tearjerker The Fault in Our Stars, made $307 million at box offices worldwide. Paper Towns, out July 24, is now one of the most anticipated movies of the season. “When Cara leaves a room, you feel the lack.” “You need someone that you would go on the adventure of your life for and then follow to the ends of the earth, and we found it in Cara,” director Jake Schreier says. When she goes missing the next day, Quentin decides to decipher the clues she left behind and track her down-only to realize he doesn’t know his crush as well as he thought. “Those were two different things.”) One night, Margo climbs through the window of longtime admirer Quentin (Wolff) and whisks him away on a hijinks-filled revenge campaign against the classmates who wronged her. I ran away and went to the circus,” she clarifies unconvincingly. ![]() (“I don’t want to say I ran away to the circus. Margo is a popular high school senior whose reputation for grand adventures-running away to the circus, cavorting with rock bands-is the stuff of local legend and actually recalls Delevingne’s own wild youth. It’s one of the many qualities she shares with her character Margo Roth Spiegelman in Paper Towns, an adaptation of the bestselling young-adult novel by John Green. That’s Delevingne in a nutshell: shaking up whatever world she’s in and acting like it’s no big deal. I like to have a good time as much as possible,” she says matter-of-factly. Seated in a trailer as a stylist preps her golden-brown hair for her final day of filming, Delevingne shrugs off her storied antics. ![]() ![]() “She is the one coming up with the grand plans for sure.” “She’s a leader,” her costar Nat Wolff says, between scenes on a giant soundstage.
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